Reel To Reel
“Fall of the American Empire” an intriguing slice of Tarantino lite
If imitation is indeed the most sincere form of flattery, then filmmaker Quentin Tarantino should be totally enamored…
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“Midsommar” a hauntingly original sophomore effort from Ari Aster
After making a splash with his directorial debut “Hereditary,” writer/director Ari Aster returns with another slice of horror…
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“The Dead Don’t Die” too cute for its own good
We’ve nearly reached the halfway point of 2019, but it is safe to say that “The Don’t Dead…
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In theaters this week
Can’t decide what to see this weekend? Bowling Green Daily News film critic Micheal Compton is here to…
Reel To Reel
Branagh brings Shakespeare to life in “All Is True”
Kenneth Branagh and William Shakespeare is a match that always feels right, so the having Branagh play the…
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“Sunset” a plodding misstep
Director László Nemes returns with “Sunset,” the follow-up to his Oscar winning film “Son of Saul.” Fans of…
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“Teen Spirit” carried by dynamic lead
It’s a story you’ve seen many, many times before, yet I found myself totally engaged with “Teen Spirit”…
Reel To Reel
In theaters this week
Can’t decide what to see this weekend? Bowling Green Daily News film critic Micheal Compton is here to…
Reel To Reel
“The Aftermath” is an odd, awkward love triangle
Every once in a while a film comes along that makes you say, “What were they thinking?” “The…
Reel To Reel
“Best of Enemies” lacks fire worthy of its subject matter
There is nothing fundamentally wrong with “The Best of Enemies.” It’s a competently made film, with a good…
